Bill Knight column for Monday,
Tuesday or Wednesday, Jan. 29, 30 or 31
From “Metropolis,” the Tin Man in “The
Wiard of Oz” and “Star Wars,” to TV’s “Twilight Zone,” the remade “Westworld”
and “Almost Human,” Hollywood has a
tradition of mechanical creatures that long to be human – to assist or oppose,
control or mimic, serve or love people.
That’s timely again. Last month, a
bipartisan group in Congress introduced the Future of Artificial Intelligence
Act to protect both displaced workers and people’s privacy. This month, the
Consumer Electronic Show presented robots way beyond motorized vacuum cleaners,
like “Kuri” (which answers questions, plays games, takes photos, and helps
around the house) and “Aibo” (a robot dog that can recognize faces, obey
commands and “do tricks”). Last week, the National Business Research Institute
released its annual “Outlook on A.I. in the Enterprise,” which says businesses
adopting A.I. last year grew from 36 percent to 61 percent, and that 90 percent
of executives working in “business intelligence” say they’re interested in
incorporating A.I. to improve data and analytics.
That all seems to ignore A.I. cautioneers
like Stephen Hawking and Elon Musk.
But the rest of us might be well-served by
streaming some robot movies and recall Tom Selleck’s line from “Runaway”: “Let
me tell you the way the world is: Nothing works right.”
Historically, writers have used artificial
life for many decades. The 1920 play “R.U.R.” by Czech playwright Karel Capek is
credited for not only linking ancient tales of artificial people with
technology and science, but for coining the term “robot.” And Hollywood’s been both
impessive and embarrassing in its depiction (the best low-budget example may be
the big-nosed robot used in the movie serials “Undersea Kingdom” (1936), “The
Mysterious Dr. Satan” (1940) and “Zombies of The Stratosphere” (1952),
described both as “charming” and “an enraged water heater.”
So whether you’re an A.I. skeptic or a
Transformer wannabe clank down in an easy chair to rest your microchips, here
are 10 top robot/android films:
“A.I.: Artificial Intelligence” (2001). A
disquieting result of filmmakers Steven Spielberg (who directs) and the late
Stanley Kubrick (who had the concept), this “grim fairy tale” focuses on a
4-foot, six-inch, 60-pound boy (Haley Joel Osment) who loves his mom. But this
forever-11-year-old kid is an android. It’s unpleasant but provocative,
uncomfortable but ambitious, apocalyptic yet an updating of “Pinocchio.”
“The Day The Earth Stood Still” (1951).
One of Hollywood's best science-fiction films, this Gospel allegory co-stars
Gort as the mechanical companion of extra-terrestrial Klaatu (Michael Rennie).
After bonehead Earthlings kill the celestial prophet who preaches peace, a
woman (Patricia Neal) saves the world with her incantation: "Klaatu barada
nikto!"
“Forbidden Planet” (1956). Robby the Robot
was introduced in this excellent science-fiction version of Shakespeare's “Tempest,”
with Walter Pidgeon, Leslie Nielsen and Anne Francis coping with an unseen
force on another planet in the year 2200. The bubble-headed robot whiz went on
to star in 1957's “Invisible Boy” and TV's “Lost in Space” as well as cameo
appearances in “Twilight Zone” and “Gremlins.”
“Heartbeeps” (1981). The late comic Andy
Kaufman starred in this offbeat, overlooked gem. He and Bernadette Peters are
robots built to be a valet and server, but they fall in love and escape. The
film becomes a touching, charming fairy tale.
“I, Robot” (2004). This techno-thriller
loosely based on Isaac Asimov’s novel stars Will Smith as an old-fashioned cop
in a new-fangled society where a crime may have been committed by a robot. Then
he stumbles on a greater threat to the planet.
“Robocop” (1987). Near death, Detroit cop
Peter Weller is reassembled as corporate America's idea of a mechanized
supercop in the first, best “Robocop” entry. The stylish (but violent) film has
a grim plot balanced by a subtext about the near future that's himarious satire.
“Robots” (2005). In a world populated
entirely by mechanical beings, a likeable device goes to the city to join his
inspiration – who’s discovered to have been deposed in a corporate shakeup putting
profit above all. Ewan McGregor, Mel Brooks and Halle Berry star.
“Silent Running” (1972). Lonely Bruce Dern
mans a space-station garden ship with Earth's surviving botany, assisted by
three wonderful robots he calls Huey, Louie and Dewey. They all garden
together, play games and even mourn as a group. Truly touching.
“Terminator II: Judgment Day (1991).
Arnold Schwarzenegger reprises his role in James Cameron's sequel to his 1984
movie, now a “good guy” at the center of friction between man and machine,
between humanity and computerized gadgetry. Linda Hamilton co-stars.
“Tobor The Great” (1954). Try to ignore
that Tobor is robot spelled backward and appreciate the familiar
relationship-building between a robot and a child (Billy Chapin). Like “The Day
The Earth Stood Still,” TV's “Johnny Jupiter” and other shows, the emotional
robot in this fantasy bonds with his inventor's grandson.