Bill Knight column for Thurs.,
Fri. or Sat. May 10, 11 or 12, 2018
This
month in 1869 in Utah, representatives of the Union Pacific and Central Pacific
railroads met at Promontory Point, creating North America’s first
transcontinental railway. Just a few years later, the young movie industry
started using trains as devices, settings or other elements.
From
the silent western “The Great Train Robbery” to comedy classics like the Marx
Brothers’ “Go West,” trains have been solid cinematic metaphors for power,
romance and the unique environment of a closed space in motion. Sometimes like
charging locomotives, sometimes like pleasant whistle-stops along the way,
Hollywood’s train films have nicely used the cars, stations and atmospheres to
good effects. Suspense thrillers like “Unstoppable,” “Narrow Margin,” “The
Fugitive” and “Double Indemnity” use them. Dramas include “Metropolitan,” “Boxcar
Bertha” and “The Railway Children.” There are train-focused musical scenes: “The
Harvey Girls,” “At The Circus” and “White Christmas.” Comedic bits succeed in
“Broadway Limited,” “Continental Divide” and “Some Like It Hot.”
Other
great sequences are featured in “The Iron Horse,” “Back to The Future, Part
III,” “Chattanooga Choo Choo,” “3:10 to Yuma” and “The Return of Casey Jones.” There’s
“Night Train to Terror,” “Night Train to Munich” and “Night Train to Venice”; “Paris
Express,” “Berlin Express,” “Phantom Express,” “Millionaire’s Express,” “Avalanche
Express,” “Café Express,” “Romance on the Orient Express” and Express to Terror”;
“Terror Train,” “Torture Train” and “Death Train,” “Atomic Train,” “Hostage
Train” and “Train Robbers,” “Train Killer,” “Train to Tombstone” and “Lady on A
Train”; “Throw Momma from the Train”…
Here’s
a Top 10 list of train films:
“The
End of The Line” (1988). Wilford Brimley and Levon Helm (the Band’s late
drummer) star as a railroad worker and pal who hijack a locomotive engine when
the railroad announces it’s closing a depot. The future of the business and a
small town all hinge on the outcome. A fine drama with humorous moments, the
film has a taut plot and excellent cast, including Holly Hunter, Kevin Bacon,
Howard Morris and Mary Steenburgen (who also produced).
“The
General” (1927). Loosely based on a real incident during the Civil War, this
silent comedy classic stars Buster Keaton as a Southern locomotive engineer
determined to regain his train stolen by Union soldiers. The dour-faced Keaton
– who also directed – is simply superb.
“Murder
on The Orient Express” (1974). Agatha Christie’s Belgian sleuth Hercule Poirot
(Albert Finney) must investigate the homicide of an American businessman
committed by some fellow passenger onboard a transcontinental train. The whodunit
has an all-star cast including Lauren Bacall, Anthony Perkins, Vanessa
Redgrave, Sean Connery, Michael York, Jacqueline Bisset, and Ingrid Bergman,
who won an Oscar for her performance. Last year’s remake is as dull as it was
unnecessary.
“Runaway
Train” (1986). Jon Voight and Eric Roberts are escaped convicts who hop on a
train careening toward disaster in Alaska. Rebecca DeMornay and Kenneth
McMillan co-star.
“Shanghai
Express” (1932). Marlene Dietrich stars in an outstanding drama with wonderful
characters. On the Peking Railroad’s prestigious train is Shanghai Lily
(Dietrich), a Chinese prostitute (Anna May Wong), Lily’s ex-lover Clive Brooks,
and a rebel leader (Warner Oland).
“Silver
Streak” (1976). This great Richard Pryor-Gene Wilder buddy picture – part
action movie, part comedy – has the duo and cohort Jill Clayburgh fighting the delightfully wicked Patrick
McGoohan and henchman Ray Walston. Ned Beatty and Richard Kiel are featured.
“Strangers
on A Train” (1951). Filmmaker Alfred Hitchcock was great when he made this
thriller, but great performances from Farley Granger and Robert Walker help the
Master make this more memorable. Based on Patrician Highsmith’s novel, the film
has two men in a chance meeting fantasizing about killing each other’s
potential victim. One follows through; the other panics. Ruth Roman and Leo G.
Carroll co-star.
“The
20th Century” (1934). A terrific 1930s screwball comedy scripted by one of the
best writing partnerships, Ben Hecht and Charles MacArthur, this stars John
Barrymore and Carole Lombard as star-crossed lovers during a wacky
cross-country train trip. Howard Hawks directed, with Edgar Kennedy and Roscoe
Karns featured.
“Union
Pacific” (1939). Joel McCrea starred in Cecil B. DeMille’s finest western,
about the building of the transcontinental railroad – with Native Americans and
U.S. Cavalry, feuding railroad barons and spunky pioneers and romance. Barbara
Stanwyck, Brian Donlevy, Robert Preston and Anthony Quinn co-star.
“Von
Ryan’s Express” (1965). Frank Sinatra stars as an American colonel held in a
prisoner-of-war camp in this fine World War II action yarn. He’s a natural
leader who can’t deal with the officer in charge of the Allied prisoners. After
a daring escape, an opportunity presents itself with a German train, and the
men steal it and head to Switzerland and safety.
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