Bill Knight
column for Sept. 24, 25 or 26, 2018
As this is written, box office
numbers are good for the remake of "Predator" but not yet reported
for the new "Star is Born" (much less reaction to TV remakes of "Magnum,
P.I.," "Cagney & Lacy," etc.), but for decades, Hollywood
remakes could be embarrassing or inspiring.
Film fans often ask: Are studios out
of ideas? Is this done mostly for commercial reasons – to attract ready-made
audiences? Is some respectful director paying homage to a predecessor while
putting a fresh spin on a story? Sometimes, filmmakers might've thought they
could do better than an original, or maybe movie executives couldn't think of a
script better than something that already existed, so new versions of old
screenplays were made.
There have been hundreds of remakes,
which can be good (like this column, a rewritten/recycled piece from my 2003
book "Video Almanac"!). A dozen come to mind besides the Top 10
below: "Bedazzled," "Cape Fear," "The Fly,"
"The Front Page," "Homeward Bound," "Invasion of the
Body Snatchers," "King Kong," "Planet of the Apes,"
"Scarface," "The Thing," "True Grit," and "War
of the Worlds."
These 10 gems really stand out:
"The Birdcage" (1996).
Robin Williams and Nathan Lane star in director Mike Nichols' Americanized and
hilarious remake of 1978's "La Cage aux Folles." Hank Azaria, Gene
Hackman, Dianne Wiest and Christine Baranski co-star.
"Father of the Bride"
(1991). Remaking the excellent Spencer Tracy/Elizabeth Taylor romp must have
been daunting, but filmmaker Charles Stryer succeeded, largely because of stars
Steve Martin, Diane Keaton and Martin Short.
"Heaven Can Wait" (1978).
Warren Beatty directed and starred in this modernization of an oft-made fantasy
of a man persuading Paradise to let him return to Earth after a
mistaken/premature death ("Here Comes Mr. Jordan" [1941], "Heaven
Can Wait" [1943], "Angel on My Shoulder" [1946], "Stairway
to Heaven" [1946], etc.). This version's stellar cast includes Dyan
Cannon, Julie Christie, Buck Henry, James Mason and Jack Warden.
"The King and I" (1955).
The classic musical starring Yul Brynner and Deborah Kerr was a fine remake of
1946's "Anna and the King of Siam," featuring music and lyrics by
Rodgers and Hammerstein. “Hello, Young Lovers” and “Getting to Know You” are
two of the great songs, and Rita Moreno co-stars.
"The Mummy" (1999). Maybe
only loosely a remake since so many films have derived from the 1932 Boris
Karloff monster movie, this is close enough – and good enough -- for a new generation. Brendan Fraser stars, with
Rachel Weisz, plus John Hannah and Arnold Vosloo.
"The Nutty Professor"
(1996). Eddie Murphy can be a genius showing his inventiveness and talent on
the big screen, as evidenced in this side-splitting remake of Jerry Lewis’s
1963 comedy (itself a different take on the Jekyll and Hyde tale). Besides
Murphy, in and out of a fat suit, it features Jada Pinckett Smith, Larry Miller
and James Coburn.
"Ocean's 11 (2001). Slicker (and
possibly cooler) than the Rat Pack’s 1960 version, this heist picture stars
George Clooney as a likeable gangster who recruits a group of criminal
associates to rob three Las Vegas casinos. Filmmaker Steven Soderbergh also
cast Brad Pitt, Julia Roberts, Matt Damon, Andy Garcia, Carl Reiner, Bernie
Mack and more talents.
"A Place in the Sun"
(1951). Montgomery Clift, Shelley Winters and Elizabeth Taylor are a love
triangle in this remake of Paramount’s 1931 "An American Tragedy," an
adaptation of Theodore Dreiser’s novel. A foreboding sense of tragedy and doom
permeates the proceedings, produced and directed by George Stevens. Raymond
Burr is featured.
"Shaft" (2000).
Technically, this update is a remake and
a sequel, since Samuel L. Jackson stars as the nephew of the original Shaft
(Richard Roundtree, returning here). Directed by John Singleton, it co-stars
Christian Bale and Vanessa Williams, with supporting roles from Busta Rhymes
and Pat Hingle.
"The Untouchables" (1987).
Filmmaker Brian De Palma controlled his knack for hyperbole in this stylish,
affectionate remake/expansion of TV's version of Prohibition-era gangbuster
Eliot Ness (Kevin Costner). Sean Connery, in one of his best performances,
co-stars; Andy Garcia and Charles Martin Smith are excellent as G-Men; and
Robert DeNiro has a memorable bit part as Al Capone.
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