Bill Knight column for 5-16, 17 or 18,
2019
One of my oldest friends died last
week, so please indulge this “remembrance” (a way many journalists try to process
loss). When 63-year-old Nancy Shanks died, its effect was that of a sudden
storm, crash or blast, except it wasn’t unexpected.
Despite anticipating her passing
from ALS (the debilitating “Lou Gehrig’s Disease”), her life is remembered and
celebrated, a reminder of the human need to belong, the true feelings of family
(“the pack” we’re comfortable in) or maybe of the stars (the universe where
we’re all tiny pieces).
My morning prayers for years have mentioned
family and friends, living and dead, and moving a pal from one to the other is
jarring.
A long-time singer with Illinois
bands including Elmo Turn and the Midwest Rhythm & Blues Revue, Nancy also
sang with Wild Cherry, became the original vocalist with the all-woman rock
group Vixen, had a solo LP on United Artists in 1977 (for which execs tried to
re-make her into another Olivia Newton-John, renaming her “Shanx”), sang
numbers on movie-soundtrack albums for “About Last Night” and “The Secret of My
Success,” recorded with the likes of J.D. Souther and Tori Amos, and had
another solo LP in 1988.
Before my wife and I were married, Nance
gave us an a capella version of
“Dedicated to The One I Love,” singing, “Each night before you go to bed, my
baby,/ whisper a little prayer for me, my baby,/ and tell all the stars above/
‘This is dedicated to the one I love’.”
We met when I was a know-it-all
student teacher who, facing a class of adolescents, sensed I knew nothing after
all. A doe-eyed high-schooler, Nance initially decided I must be a “narc” since
I then had shoulder-length hair but dressed “professionally” (i.e., wearing a
tie). Within days, however, we clicked, and through rowdy protests, a shared
passion for rock ‘n’ roll and generally raising Cain, Nance and I for many
years and several time zones remained close.
Throughout, Nance was always
agreeable and often, easily and earnestly amazed at mundane or meaningful
moments, from excitement at sharing her “discovery” of smearing cream cheese on
pitted dates to literally saving another friend who’d fallen on hard times.
I’ve now been in Peoria for more
than 40 years, but I’ve also lived in Washington, D.C., and San Diego. There, I
saw Nance a few times, going to a Hollywood premiere of Richard Pryor’s “Jo Jo
Dancer” with her, and enjoying a terrifically silly visit to the Rocky &
Bullwinkle display on Sunset Boulevard.
In recent years, Facebook helped
but it’s no substitute for conversation. On the other hand, friends have little
real need to talk or touch despite distance or the passage of time. Long phone
calls became less frequent and shorter as they became more difficult
(physically for her, emotionally for me).
That human need for shared
memories, of belonging, despite tears or giggles, has become precious. For
example, my high school class has monthly lunches sitting around a diner’s
table with a bunch of buddies, childhood chums chatting, joking and reminiscing
over common pasts. There are old baseball teammates, my insurance agent since I
got my drivers’ license, a neighbor who fondly recalls my parents, and others
who remember backyard Whiffleball games and snow forts, Schwinn bikes and butch
wax, box turtles at the dime store and baseball cards at the drug store.
Such memories, moods and moments never
leave in hometowns, where our hearts return when accumulating burdens from
deaths to other dreads require respites. And what’s noticed are overlapping
communities – “families” – that abide, apart from geography and time.
So it is with Nance, now seemingly separated
yet never leaving us.
As she taught me with her singing,
smiling soul: Wanderers, wonderers and wayfaring souls aren’t alone. Despite
fear and grief, you’re loved and part of us, and we you.
As she sings on tape, “While I'm
far away from you, my baby,/ I know it's hard for you, my baby,/ because it's
hard for me my baby,/ and the darkest hour is just before dawn.”
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