Bill Knight column for 4-30, 5-1 or 2, 2020
Following April columns about baseball movies
and baseball memories, this piece about baseball music is either the completion
of a Triple Play or “Strike three!”
The National
Pastime has a surprising connection with music, in length and depth, far beyond
“Take Me Out to The Ballgame.” There have been hundreds of published tunes and dozens of records about
baseball, many of which have been chronicled in James Mote’s 1989’s “Everything
Baseball” compendium.
Familiar writers
and composers who’ve taken a cut at the sport include Irving Berlin (“Along Came Ruth,”
1926), George M. Cohan (“March of the Cardinals,” 1937, and “Connie Mack is the
Grand Old Name, 1941), Noel Coward (“The Baseball Rag,” 1919), George Gershwin
(“I Know A Foul Ball,” 1933), Ring Lardner (“Gee! It’s A Wonderful Game,” 1911),
and John Philip Sousa (three from 1888: “An Umpire I, Who Never Say Die,” “He
Stands in the Box with The Ball in His Hands,” and “The Umpire and The Dude”),
although the baseball champ of Tin Pan Alley must be Moe Jaffe, credited with
writing more than 250 songs, including 14 about baseball.
In more recent years, Terry Cashman (composer
of Spanky & Our Gang’s hit “Sunday Will Never Be the Same”) is the best
known, Dubbed the “The Balladeer of Baseball,” he launched a series of “Talkin’
Baseball” singles with 1981’s “Talkin’ Baseball: Willie, Mickey and The
Duke,” released the year of a baseball strike, and went on to pen versions for
most MLB teams. Composer Jane Jarvis wrote six baseball songs, all about the
Mets, but she’s less known than others (Alabama’s “Cheap Seats,” Teresa Brewer’s
“I Love Mickey” [Mantle]), Kenny Rogers’ “The Greatest,” Paul Simon’s “Night Game,”
Kanye West’s “Barry Bonds,” Warren Zevon’s “Bill Lee,” and The Baseball Project
– a “supergroup” with musicians from R.E.M. and the Dream Syndicate – whose
albums include “Frozen Ropes and Dying Quails” and “High and Inside.”
Besides the lineup
below, there also have been recorded ballads about Roberto Clemente, Catfish
Hunter, Satchel Paige, Fernando Valenzuela and Maury Wills, five different
songs all titled “Say Hey,” about Willie Mays, and innumerable and forgettable one-shots
about teams by some of their players.
These, however,
are all unforgettable, like a real-life triple play:
“All The Way”
(Pearl Jam); 2008. Cub fan Eddie Vedder wrote this upbeat tribute to his team.
“Centerfield”
(John Fogerty); 1985. Nice metaphor of someone looking to come back after
withdrawing from life – apt during this stay-at-home time.
“Daddy Played
First Base” (Homer and Jethro); 1970. This country/comedy duo based this on
Carl Perkins’ “Daddy Sang Bass,” and showed smarts about the sport as well as
instincts about humor.
“Did You See
Jackie Robinson Hit That Ball?” (Count Basie and His Orchestra); 1949. The
lyrics from original artist Buddy Johnson (who had a hit the same year) show
the excitement in the black community: “Satchel Paige is mellow,/ so is
Campanella,/ Newcombe and Doby, too./ But it’s a natural fact,/ when Jackie
comes to bat,/ the other team is through.”
“A Dying Cub Fan’s
Last Request” (Steve Goodman); 1981. Goodman’s “Go Cubs Go” is a familiar
anthem, but this is heartfelt praise to devotion.
“Glory Days”
(Bruce Springsteen); 1984. Nostalgic nod amid the high energy of “Born in the
U.S.A.”
“Joltin’ Joe
DiMaggio” (Les Brown and His Orchestra); 1941. This came out during the Hall of
Fame Yankee outfielder’s 56-game hitting streak.
“Move Over Babe (Here
Comes Henry” (Bill Slayback); 1973. Hall of Fame broadcaster Ernie Harwell
wrote this appreciation of Hank Aaron with Slayback, a Detroit Tigers pitcher.
“Right Field”
(Peter Paul & Mary); 1986. Anyone ever relegated to right field to minimize
defense damage will relate to the lyrics, which move from fear to victory.
“When You Were
Mickey Mantle and I Was Stan the Man” (Ken Carlysle); 1985. Downstate Illinois
guitarist and bandleader of the country-rock Cadillac Cowboys wrote this
terrific tune about growing up in the 1950s.
“(You Gotta Have) Heart”
(cast of “Damn Yankees”); 1955. Covered by many singers over the years, this
Broadway classic about the hapless Washington Senators’ perseverance is fun as
well as hopeful.
So: If you’re sheltered in place and long for
baseball, do some online searches and crank up these numbers for a while.
Don’t go deaf.
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