Bill Knight column for July 6, 7 or 8, 2020
This week 73 years ago, the Roswell Army Air Field
in New Mexico issued a press release saying that its 509th
Operations Group had recovered a “flying disc” that had crashed nearby. Coming
weeks after a pilot reported flying saucers near Mt. Rainier southeast of
Tacoma, Wash., it fueled public interest – which Hollywood was happy to
exploit.
Most know memorable movies about aliens, but
many are relatively recent: “E.T.: The Extraterrestrial,” “Close Encounters of
the Third Kind,” “Independence Day.” All spark feelings of exhilaration, fear or
suspicion, emotions used by directors for decades, especially in the 1950s,
when flying saucers and propaganda about Communist infiltration set the
cultural tone as much as rock ‘n’ roll and Ike.
One extreme was the single-alien-tourist
feature (“The Man Who Fell to Earth,” “Starman”), which showed more about
Earthlings than extraterrestrials. The other extreme was the alien threat, from
“Mars Attacks!” to “Killers from Space.” TV also had “UFO” (BBC), “The
Invaders” (ABC), benign interstellar immigrants (“Alien Nation”) and ruthless
visitors (“V”), plus comedies from “Mork & Mindy” to “Third Rock from The
Sun.”
Some formula traits: Creatures come from a
planet that’s dying; their technology is advanced; they can take over Earthling
bodies; people come together against a common foe; and everything looks
hopeless until some tactic emerges to help our planet prevail.
Humans discover not only that we’re not alone;
we’re also puny-but-spunky.
Here’s a dozen overlooked alien “classics”:
“Adventures of Buckaroo Banzai” (1984). This
cult favorite is sort of “Bruce Springsteen and The Temple of Doom,” as Peter
Weller’s title character is a rock bandleader and adventurer, surgeon, test
pilot and physicist who leads pals against invading nut-birds. The head nut is
John Lithgow, who’s hilarious, with supporting roles from Christopher Lloyd and
Jeff Goldblum.
“Alien” (1979). Ridley Scott’s film is part
“monster movie.” After a space barge responds to a beacon, an ever-evolving
intruder threatens their survival. It stars Sigourney Weaver, Yaphet Kotto,
John Hurt and Ian Holm.
“The Day the Earth Stood Still” (1951). Better
than the 2008 remake, this stars Michael Rennie as alien “messiah” Klaatu who
(with mysterious robot Gort) offers his civilization’s wisdom about surviving
technology. Only a kid, his mom and an oldster (Billy Gray, Patricia Neal and
Sam Jaffe) pay attention.
“Earth Girls Are Easy” (1989). This comedy
succeeds where “Space Invaders” and “Strange Intruders” failed. Three aliens
(Jeff Goldbum, Jim Carrey and Damon Wayans) crash-land behind Valley Girl Geena
Davis’ house and are introduced to modern LA.
“Earth Vs. The Flying Saucers” (1956). Special
effects pioneer Ray Harryhausen enlivened this effort. Earthlings hear from
space, misinterpret the message, resist cooperating, and follow military
leaders eager for combat. Hugh Marlowe is a scientist who discovers the alien
weakness: sound.
“Five Million Years to Earth” (1967). The best
of four British “Quatermass” films, this has workers uncovering an ancient
Martian spaceship and remains from insect-like occupants.
“Invaders from Mars” (1953 or 1986). Both
versions of this stunner are suspenseful. A boy sees a flying saucer land
outside town, his parents get nabbed, and no one believes him. Leif Erickson
and Arthur Franz star in the original; Karen Black and Timothy Bottoms are in
the remake.
“Invasion of The Body Snatchers” (1956, 1978,
1993 and 2007). Don Siegel’s ’56 version (with Kevin McCarthy) and Phil
Kaufman’s next version (with Donald Sutherland) are terrific, as alien “pods”
replace people with soulless flesh bags. It’s disturbing in explicit and
implicit ways. “Invasion” (2007), starring Nicole Kidman and Daniel Craig, is
derivative but worth seeing, but not Abel Ferrara’s 1993 attempt. (All are
based on a short story by Knox College grad Jack Finney.)
“It Came from Outer Space” (1953). Ray Bradbury
wrote the story for this chillier about aliens who crash in Arizona and inhabit
Earthlings’ bodies/minds (so they can fix their ship undetected.) A scientist
(Richard Carlson) realizes they pose no threat. Charles Drake and Barbara Rush
co-star.
“They Live” (1988). From director John
Carpenter, this offbeat thriller has an amusing subtext satirizing the status
quo. Wrestler Roddy Piper is a drifter who stumbles across the presence of
aliens disguised as leaders of government, industry and the media. A funny
allegory for current times, it co-stars Meg Foster.
“This Island Earth” (1955). This thoughtful
fantasy has scientist Jeff Morrow abducted under false pretenses to another
world that needs his expertise to fight off a third, aggressive species.
“The War of The Worlds” (1953). Tom Cruise’s
2005 version is OK, but this George Pal production modernizing H.G. Wells’
story (like Orson Welles’ 1938 radio version) is excellent. Gene Barry’s a
scientist who witnesses the crash of an object, then stays ahead of the
invaders and their machines.
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