Bill
Knight column for 10-7, 8 or 9, 2019
As Major League Baseball’s World Series approaches, some worry
about the game’s rising prices and falling attendance, unfeeling owners and unhappy
players, or just whether old veterans or new rookies will hang on or catch on.
But apart from baseball’s weaknesses, its strengths endure, especially in
movies.
I’ve written about baseball films for decades, in newspapers and
the paperback “Video Almanac,” in the small press (Pig Iron, Spitball), and
more (academic conferences and parts of college courses, and even advice to
Robert Redford’s office for “The Natural,” after which they sent me a “Knights”
pennant from the film.)
Since I started, others have joined in the fun: Howard Good’s “Diamonds
in the Dark” (1997), Rob Edelman’s “Great Baseball Films” (1994),
Stephen C. Wood’s “Reel Baseball” (2003) and Ron Becker’s “Baseball Goes to the
Movies” (2017). There’s a lot to enjoy: “Pride of The Yankees” and “Pride of
St. Louis”; “The Kid from Cleveland” and “The Kid from Left Field”; “Mr. Baseball” and “Mr. 3000”; “61*”
and “42.”
After very few baseball films in the 1960s and ‘70s, a resurgence started
after “The Natural,” and they’ve continued to be occasional settings, from “Moneyball”
to “Million-Dollar Arm.” So, favorites can shift like infields when pull-hitters
approach the plate. Here’s my current lineup:
“Angels in The Outfield” (1994). A remake of the 1951 comedy
starring Paul Douglas and Janet Leigh, stars Danny Glover and Joseph
Gordon-Levitt as an Angels manager and foster kid watching prayers answered.
Christopher Lloyd co-stars.
“Bang the Drum Slowly” (1973). Robert DeNiro and Michael Moriarty
star in a drama based on Mark Harris’ novel about the friendship between a
sophisticated and talented pitcher and a slow-witted and ailing catcher. Highly
recommended.
“Bingo Long Traveling All-Stars & Motor Kings” (1976). Billy
Dee Williams, James Earl Jones and Richard Pryor star in the film version of
William Brashler’s novelization of the Negro Leagues in general and Satchel
Paige, Josh Gibson and Cool Papa Bell in particular.
“Bull Durham” (1988). Kevin Costner, Susan Sarandon, and Tim
Robbins star in a story of minor-league baseball and a love triangle. Robbins is
rookie pitcher “Nuke” LaLoosh, with “a million-dollar arm and a five-cent head”;
Costner is journeyman catcher “Crash” Davis. This launched Costner’s baseball
trilogy, which includes “Field of Dreams” and “For Love of the Game” (much
better than trilogies like the three “Bad News Bears” pictures).
“Cobb” (1994). Tommy Lee Jones is Ty Cobb and Robert Wuhl is
sportswriter Al Stump in this drama showing the National Pastime has had jerks
as well as role models. Still, even Cobb had a good side, helping ex-teammates
and once commenting, “The great problem with baseball today is that the players
are in it for the money rather than the love and the fun of it.”
“Eight Men Out” (1988). Filmmaker John Sayles used Eliot Asinof’s
nonfiction classic to revisit the Black Sox scandal as a morality play. It
stars Charlie Sheen, David Strathairn, D.B. Sweeney, John Cusack, John Mahoney,
Christopher Lloyd and Studs Terkel.
“A League of Their Own” (1992). Geena Davis and Tom Hanks star in
this affectionate history of women’s pro baseball, with Rosie O’Donnell,
Madonna and, in a wonderful bit part, Jon Lovitz.
“The Natural” (1984). Robert Redford stars in this sanitized
version of Bernard Malamud’s compelling novel, here structured as an Arthurian
allegory. The near-epic’s outstanding cast includes Glenn Close, Darren
McGavin, Robert Duvall, Kim Basinger, Wilford Brimley, Richard Farnsworth, Joe
Don Baker and Barbara Hershey.
“The Scout” (1993). Albert Brooks stars as scout Al Percolo in
this film that Time magazine called “the best comedy-fantasy about baseball
ever made.” Brendan Fraser co-stars as power-hitting pitcher Steve Nebraska,
somewhat foreshadowing the Angels’ Shohei Ohtani. Lane Smith is featured, along
with a small part by George Steinbrenner.
“Tiger Town” (1983). This TV movie from Disney stars Roy Scheider as
an aging athlete in his last season (patterned after Al Kaline) and Justin
Henry as a young fan suffering a tragedy at home. Both hope for better days and
a winning season, and the youngster starts wishing at all home games –
successfully. Sparky Anderson and Ernie Harwell are featured.
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